ABOUT

These paintings are anchored by a horizon line—a constant element in my work for over 20 years—meant to evoke the expansiveness of the American West. However, these newer paintings also revisit some of the heavier paint application and contrasting underpainting that were hallmarks of the geometric works I made in the late 1990s. I have also begun to incorporate silkscreened and spray-stenciled graphic elements: symbols, numbers, and scraps of text that build in layers with loose brush strokes, oil stick scribbles, paint drips, and card-edge impasto marks. The resulting paintings work at several scales, where an all-over impression of landscape dissolves as the viewer approaches and discovers detail in the layers.

I work in the early morning quiet in a light-filled corner studio in Portland, Oregon.

COLLECTIONS

Metropolitan Hotel
New York, NY

Microsoft Corporate Art Collection
Redmond, WA

King County Portable Works Collection
King County, WA

City of Seattle Portable Works Collection
Seattle, WA

Harborview Hospital
King County, WA

SAFECO Corporate Art Collection (deaccessioned)
Seattle, WA

SELECTED SOLO EXHIBITIONS

2023

First Thursday Open House
Cascade-Hasson Sotheby’s
Portland, OR

2008

Holding on to Nothing
Davidson Contemporary
Seattle, WA

2005

Chromophile
Davidson Galleries
Seattle, WA

2003

Lull
Pulliam Deffenbaugh Gallery
Portland, OR

Meniscus
Davidson Galleries
Seattle, WA

2001

Nine-Mile Prairie
Davidson Galleries
Seattle, WA

1999

UHF
Oculus Gallery
Seattle, WA

Textile Designs for Insomniacs
Inchmeal Gallery
Portland, OR

1998

Measure Twice, Cut Once
Oculus Gallery
Seattle, WA

Recent Works
University Friends Gallery
Seattle, WA

1997

Recent Works in Grey
Oculus Gallery
Seattle, WA

1996

Stones
Oculus Gallery
Seattle, WA

SELECTED BIBLIOGRAPHY

Dark Mountain Issue 4
Summer, 2013

Pacific Coast Edition #49
New American Paintings
December, 2003

Young Stars and Abstract Stripes Captivate in New Group Shows
The Seattle Times
by Matthew Kangas
December 12, 2003

Seattle: Matthew Landkammer at Davidson
Art in America
by Matthew Kangas
September, 2003

The Conversation: COCA at the Crossroads
The Stranger
by Emily Hall
April 10, 2003

Northwest Art Converges at COCA’s “Crossroads”
The Seattle Times
by Sheila Farr
March 28, 2003

Playing the Field
Washington, D.C. City Paper
by Mark Jenkins
September 21, 2001

The Cultural Status of Painting
Artdish: Puget Sound’s Forum of Visual Art
by Daniel Kany
October, 2000

Vibrant Collage of Eclectic Work from
Northwest and Elsewhere
Seattle Post-Intelligencer
by Regina Hackett
September 1, 2000

Reviews: Seattle
Art Papers Magazine
by Jill Conner
July/August 2000

Alternative Escapes
Seattle Times
by Matthew Kangas
April 14, 2000

Delicate Art, Obsessive Artists
The Stranger
by Emily Hall
February 10, 2000

‘Do Not Touch’ Invites a Close Look at Artists’ ‘Delicate Obsessions’
Seattle Post-Intelligencer
by Regina Hackett
January 28, 2000

SELECTED GROUP EXHIBITIONS

2022

Portland Open Studios
Citywide
Portland, OR

2021

Chromatic Impressions
Davidson Galleries
Seattle, WA

2008

Landscapes
Davidson Contemporary
Seattle, WA

2005

Aqua Art Miami
with Davidson Contemporary
Miami, FL

Open House/Project Room
Bank Gallery
Los Angeles, CA

2003

Strata
Davidson Galleries
Seattle, WA

Crossroads: New Art from the Northwest Center on Contemporary Art (COCA)
Seattle, WA

2002

Introductions
Pulliam Deffenbaugh Gallery
Portland, OR

2001

Contemporary Prints and Works on Paper
Pulliam Deffenbaugh Gallery
Portland, OR

Synthesis
Wohlfarth Gallery
Washington, DC

Unearthed: Contemporary Landscape
Davidson Galleries
Seattle, WA

2000

00/01
James Harris Gallery
Seattle, WA

They Shoot Painters, Don’t They?
Center on Contemporary Art
Seattle, WA

Bumberbiennialle: Painting 2000
Bumbershoot Arts Festival
Seattle, WA

Distill: New Seattle Formalists
Davidson Galleries
Seattle, WA

Do Not Touch: an exploration of delicate obsessions
Consolidated Works
Seattle, WA

1999

More
Bumbershoot Arts Festival
Seattle, WA

Phresh
Bumbershoot Arts Festival
Seattle, WA

Liminal
artsEdge Festival
Seattle, WA

1998

GOODS: Artist Multiples, Found Objects, and the New Economy of Meaning
ArtsEdge Festival & Bumbershoot Arts Festival
Seattle, WA